Solihull College Performing Arts, UK
Performing Arts Web Site: www.solihullarts.org.uk
College Web Site: www.solihull.ac.uk
Contact Number: +44 (0) 121 678 7000
Website development, videos, photographs and Youtube -- Greg Marshall
February 25th 2008, First Diploma
My Fair Lady Synopsis: Henry Higgins, an arrogant, irascible professor of phonetics, boasts to fellow linguist Colonel Pickering that he can train any woman to speak so properly that he could pass her off as a duchess. (In the terms now used by linguists, and which did not yet exist in the period
of the show, Higgins said he could take a speaker of basilect and teach her to speak acrolect.) Pickering is intrigued by Higgins's boast and wagers that Higgins cannot make good on his claim. Higgins takes on the challenge. He chooses as his subject Eliza Doolittle, a poor girl with a strong Cockn
ey accent whom he encounters selling flowers in Covent Garden. An intensive makeover of Eliza's speech, manners, and dress begins in preparation for her appearance at the Embassy Ball. Complicating matters is Eliza's father, Alfred P. Doolittle (Stanley Holloway), a cheerfully amoral and drink-lovin
g dustman. He shows up to extract money from Higgins, claiming that Higgins is compromising Eliza's virtue. Higgins is impressed by the man's natural gift for language and his brazen lack of moral values ("Can't afford 'em!"). So he flippantly recommends Doolittle to an American millionaire who is s
eeking a lecturer on moral values. In the end, Doolittle gets a surprise bequest of four thousand pounds a year from the millionaire. This raises him uncomfortably into middle-class respectability. Meanwhile, Eliza endures speech tutoring, endlessly repeating phrases like "In Hertford, Hereford and
Hampshire, hurricanes hardly ever happen" (to demonstrate that "h"s must be aspirated) and "The rain in Spain stays mainly in the plain" (to practice the "long a" phoneme). Just as things seem hopeless, she suddenly "gets it" after Higgins eloquently speaks of the glory of the English language. Ther
eafter her pronunciation is transformed into that of impeccable upper class English. For her first public tryout, Higgins takes her to Ascot Racecourse. There she makes a good impression with her polite manners but shocks everyone by her vulgar Cockney attitudes and slang (thus establishing one of t
he show's themes: good elocution is only "skin deep"). But she captures the heart of an eager young man named Freddy Eynsford-Hill. The final test requires Eliza to pass as a lady at the Embassy Ball. She does this admirably, even fooling a rival of Higgins, a Hungarian phonetician named Zoltan Karp
athy, into believing that Eliza was "born Hungarian." After the ball, Higgins's ungrateful boasting about his triumph and his pleasure that the experiment is now over leave Eliza feeling used and abandoned. She walks out on Higgins, leaving the clueless professor mystified by her ingratitude. But Hi
ggins soon realizes his feelings for her: he has "grown accustomed to her face." When Eliza tentatively returns to him, the musical ends on an ambiguous moment of possible reconciliation between teacher and pupil. Cast Mr. Henry Higgins - Daniel Dalton Eliza Doolittle - Lauren Checkley Alfred Doolit
tle - Adam Farid Colonel Pickering - John Smith Freddy Eynsford-Hill - Eugene Doyle Mrs. Higgins - Rachel Davis-Smith Mrs. Pearce - Haleema Akhtar CHORUS Raji Dhariwal Muzmil Hussain Shamilla Khalia Alison McCoy Heather Thorpe Sophie Tomlin Luke Whitehouse Cheyanne Brown

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