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Among the thrash albums released in 1990 included Megadeth's Rust in Peace, Anthrax's Persistence of Time, Slayer's Seasons in the Abyss, Suicidal Tendencies' Lights...Camera...Revolution!, Testament's Souls of Black, Annihilator's Never, Neverland and Kreator's Coma of Souls. All of those albums were commercial high points for the aforementioned artists. Most of these bands embarked on the Clash of the Titans tour that year.
In the 1990s, as some bands explored more innovative directions, bands that played classic thrash metal were seen as throw-backs. The 1992 album by Iced Earth, Night of the Stormrider combined power-metal and thrash metal. Dark Angel's swansong album Time Does Not Heal was a technically challengin
g, progressive thrash with a number of complex riffs. Many bands, however, opted for a slower, more groove-oriented sound, including Machine Head (formed from Vio-Lence) and Pantera. While alternative rock was the predominant genre of the 1990s, thrash metal managed to gain influence.[citation need
ed] The alternative rock band Primus (who featured ex-Possessed guitarist Larry LaLonde) blended Les Claypool's funky bass lines with thrash-influenced guitar riffs and fast tempo songs. Many veteran thrash metal bands began changing to more accessible, radio-friendly styles. In 1991, Metallica rel
eased the album Metallica, which saw record album sales for the band. Later in the decade, the band released Load (1996), and ReLoad (1997), which both displayed minor blues and southern rock influences. Megadeth and Anthrax also changed their sound during the 1990s for varying reasons. Megadeth to
ok a more accessible route with their 1992 album Countdown To Extinction which was successful both critically and commercially with a string of hit singles and videos.[citation needed] Anthrax split with frontman Joey Belladonna and recruited Armored Saint singer John Bush whose vocals style was dif
ferent from that of their previous vocalist. The first release from the new line-up was the 1993 album Sound of White Noise. Other thrash metal bands began following a similar stylistic change. Testament released the mainstream and melodic The Ritual in 1992 before switching to a more death metal o
riented sound that would follow throughout the 1990s. Annihilator switched to a more commercial style on Set the World on Fire and King of the Kill before returning to a more thrash-oriented style. Kreator began experimenting with industrial metal and goth starting with Renewal. Some bands, such as
Slayer, did not adopt a more mainstream approach. Slayer's album Divine Intervention has a classic thrash sound. Recently thrash (along with many genres of extreme metal previously considered dead by the mainstream media, but well alive to the underground metal scene) has seen a certain degree of re
surgence of popularity, including (but not limited to) the younger audience of Generation Y. This is perhaps due in part to an increase in exposure to many forms of metal and classic rock, thanks to the publicity spotlighted on it by such mediums as internet radio, satellite radio, cable networks li
ke VH1, MTV, and cover songs by newer bands of older metal classics. Older thrash bands have continued to put out material, such as Sodom's self-titled album (2006), Megadeth's United Abominations (2007), Slayer's Christ Illusion (2006), Kreator's Enemy of God (2005), Exodus' The Atrocity Exhibition
...Exhibit A (2007), Overkill's Immortalis (2007), Onslaught's Killing Peace (2007), Testament's The Formation of Damnation (2008), Death Angel's Killing Season (2008) and Metallica's Ninth Studio Album {rumored for September 2008}.

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