And as far as falsetto, an extremely high tone begun as falsetto and "budded" into an open chest resonator is virtually indistinquishable from the rest of the voice if done correctlty. It is the only way to get through a role like Arnoldo or Arturo and sing the notes as the compser wished, including the pianissimi above the staff singing.
Hasta cuando canta ...( 11 months ago by finidi72)
Hasta cuando canta de falsete es el n º 1
Disculpe que le ...( 11 months ago by kraustrujillo)
Disculpe que le rectifique finidi72 pero el falsete nunca form ó parte de la técnica de Kraus algo que muchas veces se confunde con su técnica de "mascara" basada en los resonadores faciales y de cabeza.
Un saludo
No son necesarias ...( 11 months ago by finidi72)
No son necesarias las disculpas Kraustrujillo, le agradezco su rectificaci ón, pero el agradecimiento sería mayor si pudiera explicarme la diferencia entre estas dos técnicas. Por desgracia mi amor por la música no va acompañado por mis conocimientos, lo que probablemente haga que mi disfrute de maestros como Don Alfredo no sea completo. Muchas gracias y un saludo.
Kraus version of ...( 10 months ago by Jcrewone7)
Kraus version of Arnoldo is good. I have never heard a better version than Gianni's, and I have taken the time to look.
High F in I ...( 10 months ago by spgtenor)
High F in I Puritani is a strong supported Falsetto, almost like a rock singers. Gedda actually has a pretty strong falsetto as well as voce finta.
Interesting ...( 10 months ago by spgtenor)
Interesting comments here. It is always confusing for a young tenor; falsetto, covering the voice, mixed voice, etc. I have actually trained myself to blend full voice with falsetto so it's not bad, it's useful. I can feel the slip from falsetto to full (or vice versa) but you cannot hear it. After 15 years I think I've got it.
Sorry but, it has ...( 9 months ago by djtsinopoulos)
Sorry but, it has nothing to do with a falsetto. Its a exquisite example of great head voice and in no doubt voce piena. Blending of falsetto into your voce piena is done usually with very light tenor voices. Kraus was lyric, but not a leggiero or tenorini.
1:45 is D#, please ...( 9 months ago by urns100)
1:45 is D#, please tell me something =)
In Italy we call it ...( 8 months ago by sevoflurane)
In Italy we call it falsettone, as opposed to an unsupported falsetto tone. I think it was Bonci who said that falsettone is like silk, whereas falsetto is like cotton.
I got a clip of me ...( 5 months ago by agnellodei)
I got a clip of me hitting a G above high C and to me that's not falsetto coz well, my falsetto in general is weak and airy, and to record that clip I was standing several feet away from the microphone and still got clipping and also you can hear the higher harmonics instead of the hollower sound of falsetto, can you listen and tell me that you think?
Wow!That's great! ...( 5 months ago by lucianohighC)
Wow!That's great!Amazing!How can a man hit such a high note!
How great it is!I ...( 5 months ago by lucianohighC)
How great it is!I really want to have such high note
Aquiles machado a ...( 5 months ago by gruberosa)
Aquiles machado a very promising tenor. Check him out here on youtube. Good luck
I think that the ...( 5 months ago by mertsungu)
I think that the best high note( a high D) of Maestro is in the clip where he sings La Sonnambula. I think it is weird that he did DSharp here. By the way: People confuse what falsetto, head register are... This is a wonderful mixed tone... It is not a falsetto
Es lo que algunos ...( 3 months ago by Merryjest)
Es lo que algunos llaman "falsetto apoyado", que en realidad no lo es: simplemente se trata de activar la funcion delgada de los filos de las cuerdas vocales. Es la t ípica extensión aguda del leggiero, y algunos tenores líricos pueden activarla también, pero toma mucho desarrollarla.
Actually the way ...( 3 months ago by Merryjest)
Actually the way Pavarotti does it is the way Rubini would have done it. It wasn't until Gilbert Duprez that tenors were expected to sing their high tessitura in 'head voice', which is a mixed voice register. I worship Kraus, but historically Pavarotti's high falsetto F is the correct bel canto approach. Hitting it in full voice creates a strident and unpleasant sound.
And don't forget ...( 3 months ago by Merryjest)
And don't forget that a tenore leggiero's upper extension above the A flat must contain the mixture already. Their secondo passaggio hits at Ab and if not properly trained it can sound like they go into falsetto, if they haven't worked on blending the registers evenly.
Don't forget that ...( 3 months ago by Merryjest)
Don't forget that until Duprez, falsetto was not regarded as anything more than a coloristic resource and, as far as most singers went, the only alternative for the tenor in the high register. Any upper mixture was considered unsightly (Rossini called the Duprez high C "the squack of a chicken with its throat cut")
Merryjest you are ...( 3 months ago by ilbacioditosca)
Merryjest you are right, the upper male range is similar to a female middle range. I know some female singer who can sing the same range than men with the exception that they can move the cords faster than men and it may blend even at low range.
El verdadero ...( 3 months ago by ilbacioditosca)
El verdadero falsete no suena nada, es como el canto coral, el falsetone puede sonar aun mas fuerte que la voz de "pecho" pero tiene ese componente que no lo relaciona con el after verismo machismo, donde todo es grito del la para arriba. Estoy de acuerdo que por razones musicales hay que ser mas flexible con los fanatismos, pero el aceptar el falsetone acorta el tiempo de entrenamiento y cambia el estilo a quizas lo usado en 1700 1800.
A menos que, claro, ...( 3 months ago by Merryjest)
A menos que, claro, uno sea un tenor ligero, dentro de lo cual pues se necesita tener cierta mezcla de falsetone porque nuestras voces tienen una cierta particularidad y no se puede llevar el peso hasta tan arriva como lo hacen los tenores l íricos.
lo tenore liricos ...( 3 months ago by ilbacioditosca)
lo tenore liricos que saben cantar cantan sullfiato como Helge Roswange, Fleta, Bjoerling, los que no tienen solucion y gritan terminan matando la voz aguda como Distefano, Carreras, la voz tiene que ser sulfiatto sin preocupacion de que color vocal tenes. De donde eres?
I think this was ...( 1 week ago by fabrizzzio48)
I think this was Kraus best tssitura. High and light. When getting heavier he looses this touch and his tone closes and becomes restrained.
Very nice rendition, masterly.
º 1
ó parte de la técnica de Kraus algo que muchas veces se confunde con su técnica de "mascara" basada en los resonadores faciales y de cabeza. Un saludo
ón, pero el agradecimiento sería mayor si pudiera explicarme la diferencia entre estas dos técnicas. Por desgracia mi amor por la música no va acompañado por mis conocimientos, lo que probablemente haga que mi disfrute de maestros como Don Alfredo no sea completo. Muchas gracias y un saludo.
ípica extensión aguda del leggiero, y algunos tenores líricos pueden activarla también, pero toma mucho desarrollarla.
íricos.